Recent Reading

Nov. 14th, 2025 11:43 am
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
Kelley Armstrong, Death at a Highland Wedding (2025)

Latest novel in the Rip Through Time series, in which a Vancouver B.C. police detective finds herself transported to 1870 Edinburgh, where she falls in with an undertaker who does forensic pathology work on the side, and they solve crimes together. This one is something like novel 5 in the series (with several additional novellas).

I wrote the... *checks AO3 to confirm* ...yes, still the only fic for Mallory and Gray (the Canadian detective and the Scottish undertaker). And every year since I wrote it, I know when a new novel has been published because there's a small influx of readers who turn to AO3 to self-medicate for the fact that Mallory and Gray still haven't gotten together yet. So I already knew from this year's comments that they don't get together in this book, either!

AND YET.
AND YET. (spoilers) Gray proposes a marriage of convenience, Mallory turns it down because she's holding out for a love match, Gray begins to say something about maybe in time she will develop feelings for him -- but cannily phrased, so that she doesn't realize HE ALREADY HAS feelings for HER, and she storms out. AND THEN. He writes her a letter explaining all! Which she doesn't get because of murder mystery shenanigans! Which is very Jane Austen of him, but he NEVER REWRITES THE LETTER, NOR CONFESSES WHAT WAS IN IT, and we're left with them deciding on the last page that if they can't come up with a better option by the time his sister gets married, he and Mallory will do a marriage of convenience after all -- WHICH IS VERY PINING IDIOTS OF BOTH OF THEM AND I WOULD GO AND BITCH TO THE ONLY PERSON ON AO3 WHO WROTE FIC ABOUT THEM. EXCEPT THAT PERSON IS ME. SO HERE I AM. BITCHING TO YOU.


Yes, I'll read the next book in the series. No, they still won't have gotten together. Yes, I'll be as mad about it as I am right now. ARGH. ([personal profile] grrlpup finds my frustration very amusing.)


E. Pauline Johnson (Mohawk), The Moccasin Maker (1913)

I have the impression that if I was Canadian I might have been more familiar with Johnson before this, as she was an early light on Canada's literary scene. She was more famed for her poetry than her stories, but I first heard of her because Chelsea Vowell (Metis) recommended the story "A Red Girl's Reasoning", which is included in this collection.

Johnson was mixed race herself, and a fair number of these stories feature protagonists in mixed-race marriages, sometimes happy, sometimes not. A lot of her characterizations are idealized, but I found the stories entertaining and sometimes thought-provoking. I very much enjoyed how often she centered indigenous women, and how she routinely insisted on their agency and dignity -- "A Red Girl's Reasoning" is a prime example.

I also enjoyed that chinuk wawa made the occasional appearance! Johnson lived her later life in Vancouver, British Columbia, which was within the region in which chinuk was commonly spoken. Her use of the language is a little different than what I was taught down here, but still entirely comprehensible to me. (And for people unfamiliar with chinuk wawa, she explains the terms that can't be deduced from context).

Warning for those who check out the Gutenberg edition: the included foreword about Johnson is as racist as all get out.


Rachel Poliquin (illus. Nicholas John Frith), The Superpower Field Guide: BEAVERS (2018)

Breathless, dynamic, humorous, chock-full-of-facts middle-readers book about why beavers are extraordinary. I learned a bunch of stuff, and have to agree: beavers are extraordinary! The illustrations are in a deft, mid-twentieth-century cartooning style that I found charming. Will definitely check out other books in the series.

Books: Romance Edition

Nov. 8th, 2025 08:34 am
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
Two recent historical romances, both featuring two working class protagonists. I know both authors, which I take to be a sign of my exquisite taste in friends and acquaintances.


Alison McKenzie, The Blacksmith's Bride (2025)

Elizabeth finds herself pregnant by her local lord, and thereby at grave risk of punishment for bearing a child out of wedlock. Happily, her childhood friend Matthew, who works in the nearby town and has been carrying a torch for her for years, is willing to marry her, thus kicking off a quiet and lovely marriage-of-convenience to love-match arc. Elizabeth, who has endured years of emotional abuse at her mother's hands, and who has poured all of her wherewithal into protecting her younger siblings from their mother, has to learn to make herself open and vulnerable to love. Meanwhile, Matthew, has to learn to temper his protective streak: when it is wise to speak out and when it isn't, and to respect his loved ones' decisions on their own behalves, however much he yearns to thrash anyone who is cruel to them.

Set two years after the Peasants Revolt of 1381, there's a good deal here about trying to safely navigate the whims of those with wealth and power. To marry, Elizabeth must first get the permission of her lord, who stands to lose both her labor and that of her future child. Likewise, Elizabeth's efforts to save her younger brothers from their mother's abuse must take into account their lord's interest in the boys' economic value. Meanwhile, Matthew's sister, who married up into the merchant class, is thrown upon the mercy of her husband's family after his death. But while everyone is subject to the whims of wealthy and powerful men, no one is powerless, either: there is space for cleverness, and the possibility of carving out a tolerable space for oneself in the larger system.

The Blacksmith's Bride is billed as the first in a series, and I'm looking forward to reading the next, whoever it centers. But I'm hoping the second book will feature Matthew's sister and his best friend: I'd enjoy seeing Isabel's pov centered and her getting a happier ending than she manages here; I'd likewise enjoy seeing the feckless Roger buckle down to the task of making Isabel happy -- God knows, she deserves some happiness.


Annick Trent, By Marsh and By Moor (2025)

Jed is a deserted pressed sailor, desperate to return to his family, village, and former career. Within minutes of washing up on the beach, he falls in with Solomon, who, in addition to aiding Jed in his escape, is also helping a friend escape an abusive former lover. Unhappily for all, the former officer turns out to be in charge of the local press gang.

I've been eagerly looking forward to this volume since I first learned it would be about a pressed sailor, and it did not disappoint. The textural details are lovely, as is the lived-in-ness of their lives. Both Jed and Solomon have prior lives and entanglements, so no matter how smoothly and naturally they come together in the liminal in-between now, they each have loyalties and desires that complicate a more lasting partnership.

Along those lines, I liked how messy things got:
spoilers
At a key moment, Solomon betrays Jed, giving way his position to the press gang, but it holds up as a tactical calculation: Jed would likely eventually have been found in any case, but by giving up Jed right then, Solomon created a distraction for Wallace to get away -- and Wallace having his liberty ennabled him to rescue the other two later. One of the three having his liberty is undeniably a better tactical position than none of the three, and it's easy to see why Solomon chose it -- even if he didn't already feel protective of Wallace, even without a solid plan in mind for Jed's own escape, it was still the smart move.

And yet there is no denying how cold-blooded a betrayal that felt to Jed, hearing Solomon choose Wallace's liberty over Jed's; no denying how it intensified every weakness and insecurity in the relationship between the two. Jed, after all, didn't see them as a trio. Instead, ever since they first met, Wallace had been Solomon's first loyalty, sometimes to the detriment of his relationship with Jed. Of course this felt like more of the same!

Naturally, that moment sandbagged any further opportunity for Jed and Solomon to work as a team during their capture and imprisonment -- especially with the pressers determined to prevent them working as a team! But I did like how things ultimately worked out -- and liked, likewise, Solomon acknowledging that it had been hugely presumptuous for him to make that decision for all three of them, and that Jed had every right to feel as he did.


While we're talking about spoilers:
a man and his horse
I did very much want a tender reunion between Jed and Bess. I'm down with Jed not returning to his former village and profession -- he had been fantasizing about a world in which those five years of impressment had never happened, and I'm glad he finally came to grips with the impossibility of that. But I would have liked him to have a tender moment alone with his horse.

ETA: Bess is okay! She seems to be well taken care of by the guy who currently has her. No need to worry about Bess! I just wanted Jed to feed her an apple and share a nuzzle with her -- whatever it is you do with horses.

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